Selected publications by

Samuel Weber

compilation in progress

BOOKS:

  • Institution and Interpretation. Minneapolis: University of Minnesota Press 1987 / Stanford: Stanford University Press 2001.

  • Samuel Weber, Hent de Vries (eds). Religion and Media. Stanford: Stanford University Press 2001.

  • The Legend of Freud. Minneapolis: University of Minnesota Press 1982 / Stanford: Stanford University Press 2000.

  • Samuel Weber, Hent de Vries (eds). Violence, Identity, Self-determination. Stanford: Stanford University Press 1998.

  • Mass Mediauras: Form, Technics, Media. Stanford: Stanford University Press 1996.

  • Weber, Samuel/ Zizek, Slavoj /Despoix, Philippe/Seifert, Edith, eds. Perversion der Philosophie. Lacan und das unmögliche Erbe. Köln: Bittermann 1992.

  • Return to Freud: Jacques Lacan's Dis-location of Psychoanalysis. Cambridge: Cambridge University Press 1991.

  • Weber, Samuel (ed). Glyph: Textual Studies. Baltimore: Johns Hopkins University Press 1977ff.

  • Freud-Legende: Drei Studien zum psychoanalytischen Denken. Olten: Walter Verlag 1979 / Wien: Passagen Verlag 1990.

  • Unwrapping Balzac: A Study of "La Peau de Chagrin". Toronto: University of Toronto Press. 1979.

  • Rückkehr zu Freud: Jacques Lacans Ent-Stellung der Psychoanalyse. Berlin: Ullstein 1978 / Vienna: Passagen 2000.


    ARTICLES:

  • "War, Terrorism, and Spectacle : On Towers and Caves". In Peter Krapp, Andrew McNamara, eds., Medium Cool, South Atlantic Quarterly 101:3: 2002, 449-458.

  • "Responding: A Discussion with Samuel Weber". In Peter Krapp, Andrew McNamara, eds., Medium Cool, South Atlantic Quarterly 101:3: 2002, 695-724.

  • "Der Ring als Dekonstruktion der Moderne: Wagner mit Benjamin". In Richard Klein (ed). Narben des Gesamtkunstwerks. Münich. Fink, 2001, 65-80.

  • "Replacing the Body: An Approach to the Question of Digital Democracy. In Marcel Henaff, Tracy Strong (eds). Public Space and Democracy. Minneapolis: University of Minnesota Press 2001, 172-188.

  • "Stattfinden". In Zeugnis und Zeugenschaft. Berlin: Akademie Verlag 2000, 53-70.

  • "Critical Theory and the Task of Reading (Adorno)". New German Critique 81 (Fall) 2000.

  • "Benjamin's Excitable Gestures". hybridity 1/1 (Singapore 2000), 55-76.

  • "Das Erwachen bei Benjamin und Proust". In Thomas Amos, Hjelmut Bertram, Maria Cristina Gianno. Les Mots de la Tribu. Tübingen: Stauffenberg Verlag 2000, 387-394.

  • "The Virtuality of Medium". Sites 4/2 (Fall) 2000, 297-319.

  • "Psychoanalysis and Theatricality". Parallax 6/3 2000, 29-48.

  • "Theater als Übersetzung". In Carsten Ahrens et al. (eds). Axel Manthey: Theater. Vienna: Residenz Verlag 1998, 247-255.

  • "Family Scenes: Some Preliminary Remarks on Domesticity and Theatricality". In Julie Carlson (special issue ed). South Atlantic Quarterly 98.3 "Domestic/Tragedy" (Summer 1999), 22-28.

  • "Nomos in The Magic Flute". In Timothy S. Murphy, Roy Sellars, Robert Smith (eds). Angelaki 3/2 "The Love of Music" 1998, 61-88.

  • "Vor Ort: Theater im Zeitalter der Medien". In G. Brandstetter, Helga Finter, Markus Wessendorf (eds). Grenzgänge. Tübingen: Gunter Narr Verlag 1998, 31-51.

  • "Virtualität der Medien". In Sigrid Schade, Hans Christoph Tholen. Konfigurationen. Zwischen Kunst und Medien. Münich: Wilhelm Fink Verlag 1999, 35-49.

  • "Benjamin's Style". In Michael Kelly (ed). Encyclopedia of Aesthetics. Vol. I. Oxford University Press 1998, 261-264.

  • "Double-Take: Acting and Writing in Genet's L'étrange mot d'... ". In Scott Durham. Yale French Studies 91 (1997), 28-48.

  • "The Future of the Humanities". In C.S. de Beer (ed). Unisa as Distinctive University for our Time. Interdisciplinary Discussion Forum. Pretoria: University of South Africa 1998, 127-154.

  • "Un-Übersetzbarkeit: Zu Benjamins 'Aufgabe des Übersetzers.'" In Anselm Haverkamp (ed). Die Sprache der Anderen. Frankfurt: Fischer 1997, 121-146.

  • "Einmal ist Keinmal: Das Wiederholbare und das Singuläre". In G. Neumann (ed). Poststrukturalismus. DFG-Symposion 1995. Stuttgart: Metzler 1997, 434-448.

  • "The Future of the University". In Terry Smith (ed). Ideas of the University. Sydney 1996, 43-76.

  • "Reading -- to the End of the World. Narration and Theatricality in Tristram Shandy." Modern Language Notes 111/5 (December 1996), 819-834.

  • "Stückwerk". In Hans Peter Jäck (ed). Dekonstruktion und Marxismus: Politiken des Anderen II. Bornheim und Rostock: HFV, 1996.

  • "Humanitarian Interventions in the Age of Media". Suitcase, vol. I, nos. 1-2, 1995

  • "Piece-Work". In Strategies vol 9/10. 1-17.

  • "Humanitarian Interventions in an Age of Media". Suitcase. Los Angeles, 1996.

    In Eingriffe im Zeitalter der Medien. Hannelore Pfeil, Hans-Peter Jäck (eds). Hanseatischer Fachverlag für Wirtschaft. Bornheim-Roisdorf, 1995.

  • "Vorwort: Zur Selbstverstandlichkeit der Psychoanalyse". In Freud-Deutung. Zurich 1994, 7-15.

  • "Objectivity and its Others". In Wolfgang Natter, Theodor R. Schatzki, J.P. Jones III (eds), Objectivity Otherwise. London: Guilford 1995, 33-50.

  • "Set and Screen: Remarks on Televisual Representation". ASCA Brief 1 (Bulletin of the Amsterdam School of Cultural Analysis). 1994, 72-88.

  • "Der Kanon: Musik und Gesetz". riss 9 (1994), 71-86.

  • "Le surenchère: parodie et déconstruction". In Marie-Louise Mallet (ed). Passage des frontières. Galilée. Paris, 1994.
  • Tr. as "Upping the Ante: Deconstruction as Parodic Practice." Deconstruction Is/in America: A New Sense of the Political , ed. Anselm Haverkamp, New York: New York University Press 1995, 60-75.

  • "Zur Sprache des Fernsehens". In Jean-Pierre Dubost (ed). Bildstörung. Leipzig: Reclam 1994, 72-88.

  • "Der abgestempelte Signifikant: Lacan mit Heidegger". riss 9 (1993), 119-136.

  • "The Parallax View". In Mark Wigley (ed). assemblage 20 "Space and Violence". Cambridge: MIT Press 1993.

  • "Dopo la Deconstruzione: conseguenze". Intersezioni: Rivista di storia delle idee. December 1992, 397-412.
    After Deconstruction. In Andrea Carosso (ed). Decostruzione e/è America. Turin. 1994, 291-304.

  • "Breaching the Gap: Lacan's Ethics of Psychoanalysis and the Question of the Tragicomic". In Mark Poster (ed). Literature and Politics. New York: Columbia University Press 1992.

  • "Taking Exception to Decision: Walter Benjamin and Carl Schmitt". Diacritics. Fall 1992, 5-19.
    Repr. in D.V. Kunneman, Hent de Vries (eds). Enlightenments: Encounters between Critical Theory and Contemporary French Thought. Kampen: Kok Pharos 1993, 141-161.
    German in Elisabeth Weber, Christoph Tholen, Scholl (eds). Das Vergessen(e). Turia + Kant. Vienna, 1997, 204-224.

  • "The Unraveling of Form". In L. Verbeeck (ed). Ethics and Reading. Leuven: Peters 1992.

  • "Deconstruction Before the Name". In D. Cornell, M. Rosenfeld, D.G. Carlson (eds). Deconstruction and the Possibility of Justice. Routledge. New York, London, 1993, 232-257.
    German in Anselm Haverkamp (ed). Gewalt und Gerechtigkeit: Derrida-Benjamin. Frankfurt: Suhrkamp 1994, 185-195.

  • "The Media and the War". Alphabet City. Summer 1991, 22-26.

    Repr. in emergences 3/4 (Fall 1992), 16-26.

  • "Genealogy of Modernity: History, Myth and Allegory in Benjamin's Origin of the German Mourning Play". MLN 106 (1991), 465-500.

  • "Le polynôme". Lacan avec les philosophes. Bibliotheque du College International de Philosophie. Paris: Albin Michel 1991, 50-60.

  • "Psychoanalysis, Literary Criticism and the Problem of Authority". R. Feldman, H. Sussman (eds). Psychoanalysis and... London: Routledge 1990, 21-32.

  • "In the Name of the Law". Cardoza Law Review II/5-6. July/August 1990, 1515-1538.
    Repr. in D. Cornell, M. Rosenfeld, D.G. Carlson (eds). Deconstruction and the Possibility of Justice. London: Routledge 1993, 232-257.

    German in Anselm Haverkamp (ed). Gewalt und Gerechtigkeit: Derrida-Benjamin. Frankfurt: Suhrkamp 1994, 97-128.

  • "Der posthume Zwischenfall: Eine live Sendung". In G. Ch. Tholen, M. O. Scholl (eds). Zeit-Zeichen. Weinheim: VCH (acta humaniora) 1990.

  • "On the Balcony: The Theater of Technics". In L. Lambrechts, J. Nowe (eds). Bild-Sprache: Texte zwischen Dichten und Denken. Leuven: Louvain University Press 1990, 283-297.

  • "Criticism Underway: Walter Benjamin's Romantic Concept of Criticism". In Kenneth R. Johnston, G. Chaitin, K. Hanson, H. Marks (eds). Romantic Revolutions. Bloomington: Indiana University Press 1990, 302-319.

  • "Upsetting the Set Up: Remarks on Heidegger's Questing After Technics". MLN (Winter 1989-90), 976-991.

  • "The Vaulted Eye: Remarks on Knowledge and Professionalism". Yale French Studies 77 (1990), 44-60.

  • "Theater, Technics and Writing". 1-800. Fall 1989, 15-19

  • "La boîte et le balcon: De la technique au théâtre". Qui parle? Berkeley, Spring 1989.

  • "The Monument Disfigured". In Werner Hamacher, Neil Hertz, Tom Keenan (eds). Responses: Paul de Man's Wartime Journalism. Lincoln: University of Nebraska Press 1989, 404-425.

  • "Über die Treue zum Text; and Die Wahrheit des Balkons". In Programmheft for Genet's Le Balcon. Düsseldorfer Schauspiel. February 1989.

  • "Das abgeschirmte Bild". In Manfred Frank, Anselm Haverkamp (eds). Individualität, Poetik und Hermeneutik XIII. Munich: Wilhelm Fink 1988, 228-233.

  • "Geschichte, Gestaltung, Geschlecht: von den Wibelungen zum Ring." In Wolfgang Storch (ed). Die Nibelungen: Bilder von Liebe, Verrat und Untergang. Munich: Prestel 1987, 64-65.

  • "Who Ever Heard of Dr. Schreber?" In Memoirs of My Nervous Illness-Daniel Paul Schreber. Cambridge: Harvard University Press 1988.

  • "The Found(er)ing of Comparative Literature". In Clayton Koelb, Susan Noakes (eds). Aspects of Comparative Literature. Ithaca: Cornell University Press 1988, 57-72.

  • "Tannhäuser's Start". Program of the Bayreuth Festival. Summer 1987.

  • "Der Schwindel. Zum Begriff der Angst bei Freud und Lacan". Riss: Zeitschrift für Psychoanalyse. Zürich, October 1987.

  • "Das Traumspiel: Eine Lektüre". In Program, Stuttgart Schauspiel Production in Strindberg's Dream Play. October 1987.

  • "Laughing in the Meanwhile". (Jokes and Laughter in Freud). Modern Language Notes. Fall 1987, 691-706.

  • "Le temps d'un rire". Critique 488-489 (Janvier-Fevrier) 1988, 61-76.

  • "Interpretation und Institution". In Diskursanalysen 2: Institution Universität. Opladen: Westdeutscher Verlag 1990, 152-163.

  • "Sophisme, sophistique et ambivalences analytiques". In Barbara Cassin (ed). Le plaisir de parler. Paris: Editions de Minuit 1986, 201-207.

  • "Postmoderne und Poststrukturalismus". Ästhetik und Kommunikation 17/63 (1986), 105-122.

  • "Caught in the Act of Reading". Glyph 9 "Demarcating the Disciplines". Minneapolis: University of Minnesota Press 1985.

  • "Literature -- Just Making It". (Afterword) In Jean-François Lyotard Just Gaming. Minneapolis: University of Minnesota Press 1985.

  • "Ambivalence, the Humanities and the Study of Literature". diacritics. Summer 1985, 11-25.

  • "Demarcations: Deconstruction, Institutionalization, Ambivalence". Working Papers of the Urbino International Center of Semiotics and Linguistics, Urbino Nuova Correnti. Milan, 1985.

  • "How Not to Stop Worrying". Critical Exchange 15 (Winter 1984), 17-25.

  • "Taking Place: Towards a Theater of Dislocation". enclitic 8/1-2. Spring/Fall 1984.
    Repr. in David Levin (ed). Opera Through Other Eyes. Stanford: Stanford University Press 1993, 107-146.

  • "The Debts of Deconstruction, and Other, Related Assumptions". In Joseph H. Smith, William Kerrigan (eds). Taking Chances: Derrida, Psychonalysis and Literature. Baltimore: Johns Hopkins University Press 1984, 33-65.
  • Fr. as "Les dettes de la déconstruction et autres assomptions connexes". Confrontation 19. Paris, 1988, 47-78.

  • "Reading and Writing -- chez Derrida". Tijdschrift voor Filosofie 45/1 (March 1983), 41-62.

  • "Capitalizing History". diacritics. Summer 1983, 14-28.

  • "Der Hexenbrief". In Mit Lacan. Berlin: Rotation Verlag. 1982, 47-58.

  • "Das Leiden an der Zeit -- Zur Aktualität Parsifals". Program for the Frankfurt Opera production of Wagner's Parsifal. Frankfurt am Main, 1982, 22-27.

  • Repr. as "Das Leiden an der Zeit: Gedanken zu Parsifal." In Wolfgang Storch (ed). Les Symbolistes et Richard Wagner. Berlin: Henrich 1991, 133-138.

  • "L'institution de la pensée". Recherches Sociologiques 1-2. 1982, 158-168.

  • "Das Fest des Schreibens". In Rolf Kloepfer, Gisela Janetzke-Dillner (eds). Erzäh1forschung im 20. Jahrhundert. Stuttgart: Kohlhammer 1981, 397-405.

  • "The Critic's Choice". In Francis Barker et al (eds). 1789: Reading, Writing, and Revolution. Colchester: University of Essex 1982, 147-159.

  • "Closure and Exclusion". diacritics 10:2 (June 1980), 35-46.
  • "Tertium Datur". In Friedrich Kittler (ed). Austreibung des Geistes aus den Geisteswissenschaften. Munich: Fink 1980, 204-221.

  • "Das linke Zeichen: Zur Semiologie Saussures und Peirces". Fugen 1 (1980), 43-63.

  • "Benjamin-Lektüre". Modern Language Notes 1979, 441-454.

  • "It". Glyph 4 (1978), 1-29.

  • "The Divaricator". Glyph 1 (1977), vii - xi/1-27.

  • "Saussure and the Apparition of Language". Modern Language Notes 91. 1976, 913-938.

    Repr. in Laurie DiMauro (ed). Twentieth-Century Literary Criticism. Detroit: Gale Research 1994.

  • "Der Einschnitt. Zur Aktualität Voloshinovs". In V.N. Voloshinov. Marxismus und Sprachphilosophie. Berlin: Ullstein 1975, 9-46.

  • "The Intersection: Marxism and the Philosophy of Language". diacritics Winter 1985, 94-110.

  • "The Sideshow: Remarks on the Uncanny: Freud, E.T.A. Hoffmann, Villiers de l'Isle-Adam". MLN 88 (1973).
    German in Clare Kahane (ed). Psychoanalyse und das Unheimliche. Bonn: Bouvier 1981, 122-147.

  • "The Responsibility of the Critic: A Response" Modern Language Notes, vol. 91 (1976), 814-16

  • Richard Macksey, Henry Sussman, Samuel Weber, "The Charles Sanders Peirce Symposium on Semiotics and the Arts", Modern Language Notes 91:6 (1976), 1427-1571.

  • "Die Parabel". In Daniel Paul Schreber. Denkwürdigkeiten eines Nervenkranken., ed. Samuel Weber. Berlin: Ullstein 1973.

  • "The Madrepore". Modern Language Notes 87 (1972), 915-961.
  • Fr. as "Le madrepore". Poetique: Revue de Théorie et d'Analyse Litteraires 13 (1973), 28-54.

  • "Lecture de Benjamin". Critique 267-268 (1969), 699-712.

  • "Translating the Untranslatable". In Theodor W. Adorno, Prisms ed. and trans. Samuel Weber. Cambridge: MIT Press 1968, 9-15.


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