Books
Author – I Think I Am: Philip K. Dick. SUBMITTED
Author - The Devil Notebooks. University of Minnesota Press: IN PRESS
Author - Ulrike Ottinger: The Autobiography of Art Cinema. University of Minnesota Press: IN
PRESS
Author -Ulrike Ottinger. Eine Autobiografie des
Kinos. b_books, 2007
Author - Vampirismus Vorlesungen. Brinkmann & Bose, 2007
Co-editor (with Thomas Kniesche)
– Die Kindheit Ÿberleben. Festschrift zu Ehren von Ursula
Mahlendorf. Kšnigshausen & Neumann, 2004.
Author - Nazi Psychoanalysis, 3 Volumes: Only Psychoanalysis Won the War, Crypto-Fetishism, Psy Fi. University of Minnesota Press, 2002.
Editor - Acting Out in Groups. University of Minnesota Press, 1999.
Author - The Vampire Lectures. University of Minnesota Press, 1999.
Co-editor (with Ursula Mahlendorf) - Poetry Poetics Translation: Festschrift in Honor of Richard Exner. Kšnigshausen & Neumann, 1994.
Author - The Case of California. The Johns Hopkins University Press, 1991. Reprinted with University of Minnesota Press, 2001.
Editor - Gottfried Keller, Jugenddramen. Ammann Verlag, 1990.
Editor - Looking After Nietzsche. State University of New York Press, 1990.
Special Issue Editor - ÒVoice Over: On Technology,Ó SubStance 61 (1990).
Author - Der unbetrauerbare Tod. Edition Passagen, 1989.
Author - Aberrations of Mourning: Writing on German Crypts. Wayne State
University Press, 1988.
Selected Articles
ÒEndopsychic Allegories.Ó To appear in Postmodern Culture (special issue on ÒCritical Theory and the Legacy of Psychoanalysis,Ó ed. Jan Mieszkowski) December 2007.
ÒPolitics and Psychosis.Ó To appear in The German Quarterly (Freud special issue, ed. Paul Reitter) January 2008.
ÒSecond
Death.Ó between two deaths. Ed.
Ellen Blumenstein and Felix Ensslin. Hatje Cantz 2007: 94-105.
ÒGoing Ape: On Ulrike OttingerÕs Prater.Ó artUS, no. 18 (2007).
ÒKaty Crowe.Ó artUS, no. 16 (2007).
ÒThe Body of His WorkÓ / ÓIl corporo della sua opera.Ó Meneghetti. Opere/Works 2000-2006. Ed. Achille Bonito Oliva. Electa, 2006: 51-59. [Contribution to the catalogue accompanying a retrospective exhibition held Summer 2006, for which I was one of several curators.]
ÒDevil Father Mine.Ó Lust for Life. On the Writings of Kathy Acker. Ed. Amy Scholder, Carla Harryman, and Avital Ronell. Verso Press, 2006: 78-98.
ÒZwšlf Filme.Ó Ulrike Ottinger. Bildarchiv. Verlag fŸr moderne Kunst NŸrnberg, 2006.
ÒTwelve Films.Ó Ulrike Ottinger. Image Archive. Verlag fŸr moderne Kunst NŸrnberg, 2006: 495-509.
ÒTotem Taboo.Ó artUS, no. 11 (2006).
ÒThe Case of Oscar Wilde.Ó Le Voyage interieur. Paris-London, ed. Alex Farquharson and Alexis Vaillant, Espace EDF Electra (exhibition catalogue, 2005).
ÒAlle-Gory.Ó Alle-Gory, Mandarin Gallery, 2005 [The catalogue accompanied
the group show I curated at Mandarin Gallery, Los Angeles, under the same
title, December 3, 2005 - January 14, 2006].
ÒDelay in the Machine Age. Part I.Ó artUS, no. 10 (2005).
ÒSue de Beer: Visitation Rites.Ó artUS, no. 9 (2005).
ÒDavid Askevold.Ó artUS, no.9 (2005).
ÒThe Portrait Under Surveillance.Ó artUS, no. 5/6 (2005).
ÒHaunts of Assimilation.Ó David Deutsch. Photographs/Paintings. 2 volumes. Twin Palms Publishers, 2005.
ÒDas Hund.Ó Flashforward. Film by Eva Meyer and Eran Schaerf, 2004.
Seven artists and writers (including Elfriede Jelinek) contributed either a text (and reading) or a performance as quilting points within the film.
ÒBrad Spence.Ó artUS, no. 4 (2004).
ÒMetropolis, California.Ó artUS, no. 3 (2004).
ÒAlexis Smith.Ó artUS, no. 2 (2004).
ÒMemory and Disappearance: Recent Thai Art.Ó artUS, no. 1 (2004).
ÒSatan and Golem, inc.Ó parallax, Issue 30 (2004): 49-57.
ÒMy Last Interview with Ulrike Ottinger: on Southeast Passage and Beyond.Ó Subtitles: On the Foreignness of Film, ed. Atom Egoyan and Ian Balfour, The MIT Press, 2004.
ÒEran Schaerf: All of the Above.Ó The Promise The Land. Jewish-Israeli Artists in Relation to Politics and Society. O. K Centrum fŸr Gegenwartskunst Oberšsterreich. Folio, 2004: 146-149.
ÒGross und Gross, Inkorporiert.Ó Die Gesetze des Vaters: Hans Gross, Otto Gross, Sigmund Freud, Franz Kafka, ed. Gerhard Dienes and Ralf Rother, Bšhlau Verlag, 2003: 196-209.
ÒMany Eternal Returns.Ó Cultural Shift Hatter. Cody Choi 1986-2003. Seoul: Paradise, 2003: 72-82.
ÒLyle Ashton Harris.Ó artUS, Inaugural Issue (2003).
ÒTom Allen. Becoming Ruin.Ó art / text, vol. 78 (2002).
ÒMiddlebrowbeat.Ó Literary Paternity. Ed. Gerhard Richter. University of North Carolina Press, 2002.
ÒMarlene McCarty.Ó art / text, vol. 77 (2002).
ÒNorth by North by Laurence Rickels. On John Boskovich.Ó art / text, vol. 77 (2002).
ÒSuicitation: Benjamin and Freud.Ó BenjaminÕs Ghosts. Ed. Gerhard Richter. Stanford University Press, 2002: 142-53, 326-29.
ÒRecognition Values: Seeing The Sixth Sense Again for the First Time.Ó Other Voices 2, 2 (March 2002).
ÒTheory on TV: ÔAfter Thoughts.ÕÓ Religion and Media. Ed. Hent De Vries and Samuel Weber. Stanford University Press, 2001.
ÒStephanie Taylor.Ó art / text, vol. 74 (2001).
ÒFloyd Claypool.Ó art / text, vol. 73 (2001).
ÒDean Sameshima: Secret Agency.Ó art / text, vol. 72 (2001).
ÒUlrike Ottinger: Glass Walls.Ó art / text, vol. 71 (2000).
ÒThe EmperorÕs New Closure.Ó art / text, vol. 70 (2000).
ÒLarry Johnson.Ó art / text, vol. 69 (2000).
ÒKaty Schimert: Blind Spot and Insight.Ó art / text, vol. 68 (2000).
ÒResistance in Theory.Ó Material Events. Paul de Man and the Afterlife of Theory. Ed. Tom Cohen, Barbara Cohen, J. Hillis Miller, and Andrzej Warminski. University of Minnesota Press, 2000: 153-179.
ÒBridge IsnÕt Falling Down.Ó Laura London: After School Special. Los Angeles: works on paper, inc., 2000.
ÒMidlife Criticism and the Teen Age.Ó Fšrtechning šver Swedish Department. Riksustall-Ningar / Swedish Traveling Exhibitions, 2000.
ÒJust a Test.Ó Mike
Kelley. Magasin. Centre National dÕArt Contemporain, 1999: 29-36.
ÒAmerican Psychos: The End of Art Cinema in the Ô90s.Ó art / text, vol. 67 (1999).
ÒArt/Journalism.Ó X-TRA, vol. II, no. 4 (Summer 1999). [accompanied the
exhibition ÒArt/JournalismÓ which I curated at the Rosamund Felsen Gallery,
Santa Monica, Summer 1999]
ÒToto-lization.Ó Jeremy Blake. One Hit Wonder. Los Angeles: works on paper, inc., 1999.
ÒMine.Ó Terminals. Ed. Connie Samaras and Victoria Vesna. Delta Graphics, 1999: 63-86.
ÒMatthew Antezzo.Ó Nach-Bild, vol. 25 (1999).
ÒT.J. Wilcox. The Loss Generation.Ó art / text, vol. 64 (1999).
ÒScream IV.Ó Space, Site, and Intervention: Issues in Installation and Site-Specific Art. Ed. Erika Suderburg. University of Minnesota Press, 1999: 209-219.
ÒKim Yasuda: The Canyon That Took the Place of a Couch.Ó Art in General (1999).
ÒGiving Up the Ghost of a Fetish: Between the Couples Theory of Marxo-Freudianism and Nazi Psychoanalysis.Ó The South Atlantic Quarterly, 97, 2 (1998): 297-325.
ÒPhantoms of Opera.Ó art / text, vol. 63 (1998).
ÒDie PrŸfung Unica ZŸrns.Ó Unica ZŸrn. Bilder 1953 – 1970, 1998: 193-98.
ÒBite Sighs. A Eulogy for Martin Kippenberger.Ó Martin Kippenberger. Hotel Drawings. 1988 - 1990. Los Angeles: works on paper, inc., 1998.
ÒLandscape from LA.Ó Spring Journal 1, 1 (1998).
ÒCryptology.Ó Hi-Fives: A Trip to Semiotics. Ed. Roberta Kevelson. New York, 1998: 191-204.
ÒAlready Given at the Office: On Techno Feminism.Ó parallax, 5 (1997): 69-78.
ÒTotÕs Tomb.Ó aRude 3. 1 (Spring 1997).
ÒSilent Reading.Ó Larry Johnson, ed. Scott Watson. Vancouver: Morris and Helen Belkin Art Gallery, The University of British Columbia, 1996. 25-32.
ÒDigging Psychoanalysis.Ó Freud and the Passions, ed. John OÕNeill. University Park: The Pennsylvania State University Press, 1996. 201-229.
ÒWall-Eyed Ghosts.Ó Lari Pittman Drawings, ed. Elizabeth A. Brown. Seattle/London: University of Washington, 1996. 102-105.
ÒPsy Fi Explorations of Out Space: On WertherÕs Special Effects.Ó Outing Goethe & His Age, ed. Alice A. Kuzniar. Stanford: Stanford University Press, 1996. 147-173.
ÒTheory on TV: Gadget Goes to Florida - Laurence A. Rickels Talks with Gregory Ulmer.Ó Artforum (January 1996).
ÒDragula.Ó aRude 1.2 (Fall 1995).
ÒTheory on TV: Making a Killing - Laurence A. Rickels Talks with Michel Serres.Ó Artforum (April 1995).
ÒPsy Fi.Ó Alphabet City 4/5 (1995): 96-102.
ÒHeil Homosexuality.Ó GLQ A Journal of Lesbian and Gay Studies 2.1-2 (1995): 36-63.
ÒThe Art of Psy Fi.Ó Narcissistic Disturbance. Los Angeles: Otis College of Art and Design, 1995:
16-25.
ÒThe Kings and I: Laurence A. Rickels talks with Klaus Theweleit.Ó Artforum (September 1994).
ÒSpeaking Djaman: An Interview with Kiki Smith.Ó Thresholds: Viewing Culture 8 (1994).
ÒAct Out/Turn On.Ó Artforum (April 1994).
ÒInsurance for and against Women: From Nietzsche to Psychotherapy.Ó Nietzsche and the Feminine, ed. P. Burgard, University Press of Virginia, 1994: 257-286.
ÒBody Bildung: Laurence A. Rickels talks with Kathy Acker.Ó Artforum (February 1994).
ÒItÕs a Wound-erful Life: Laurence A. Rickels talks with Rosa von Praunheim.Ó Artforum (December 1993).
ÒFaust, Freud, and the Missing Entries into War.Ó assemblage 20 (1993): 64-65.
ÒOpportunistic Diagnosis - Laurence A. Rickels on Jean BaudrillardÕs Transparency of Evil.Ó Artforum (Summer 1993).
ÒCamp.Ó Modern Language Notes 108 (1993): 484-499.
ÒReal Time Travel: Laurence Rickels talks with Ulrike Ottinger.Ó Artforum (February 1993).
ÒMickey Marx.Ó Lusitania 1.4 (1993): 205-215.
ÒMummyÕs Curse.Ó The American Journal of Semiotics. 9.4 (1992): 47-58.
ÒSpooky Electricity: An Interview with Friedrich Kittler.Ó Artforum (December 1992).
ÒCalifornia
BuildinÕ.Ó Semiotexte Architecture, 1992. 6 pages.
ÒEating Bambi.Ó 1-800 Magazine. 2 (1991): 47-49, 69-71.
ÒMissing Marx: or, How to Take Better Aim.Ó Strategies 6 (1991): 70-92. Reprinted in Strategies for Theory: From Marx to Madonna. Ed. R. L. Rutsky and Bradley J. Macdonald. State University of New York Press, 2003: 249-267.
ÒAlex.Ó The American Journal of Semiotics. 7.3 (1990): 53-61.
ÒDear Diary.Ó Stendahl Syndrome: The Cure. New York: Andrea Rosen Gallery and Techne Group, 1990.
ÒPsychoanalysis on TV.Ó SubStance 61 (1990): 39-52.
ÒMusic Phantoms: Uncanned Conceptions of Music from Josephine the Singer to Mickey Mouse.Ó SubStance 58 (1989): 3-24.
ÒKafka and Freud
on the Telephone.Ó Modern
Austrian Literature
22.3/4 (1989): 211-225.
ÒSubliminalation.Ó Qui Parle (Paranoia/Schizophrenia) 2.1 (Spring
1988): 18-42.
ÒFriedrich Torberg.Ó Major Figures of Modern
Austrian Literature, ed.
Donald G. Daviau, Ariadne Press, 1988: 397-422.
ÒPsychoanalysis and the Two Orifices of Film.Ó The American Journal of Semiotics. 5.3/4 (1987): 419-445.
ÒKafka and the Aero-Trace.Ó Franz Kafka and the Contemporary Critical Performance: Centenary Readings, ed. Alan Udoff, Indiana University Press, 1987: 111-127.
ÒThe Road Belong
Cargo.Ó Qui Parle 1.2 (Spring 1987): 26-36.
ÒFriedrich ÔNichte.ÕÓ SubStance 52 (1987): 3-20.
ÒDie Blechtrommel: Zwischen Schelmen- und Bildungsroman.Ó Amsterdamer BeitrŠge zur neueren Germanistik 20 (1985/86): 109-132.
ÒStifterÕs Nachkommenschaften: The Problem of the Surname, the Problem of Painting.Ó Modern Language Notes 100, 3 (April 1985): 577-598.
ÒDeception, Exchange, and Revenge: Metaphors of Language in Emilia Galotti.Ó Lessing Yearbook 16 (1984): 37-54.
ÒWriting as Travel and Travail: Der Prozess and In der Strafkolonie.Ó Newsletter of the Kafka Society of North America 5, 2 (1982): 32-40.